Ceramic Sculptures
Stop and Smell the Flowers Because Common Sense is Overrated ● 2024
ceramic, earthenware, glazes, gold lustre 15 x 20 x 15cm
Finding a Golden Era ● 2024
ceramic, earthenware, glazes, gold lustre 23 x 30 x 22cm
Got any juicy Gossip for Today? ● 2024
ceramic, earthenware, glazes, gold lustre
28 x 25 x 15cm
Life and 4 Si ● 2023
Hand-built ceramic, earthenware, glaze, lustre, resin, mixed media 21 x 28 x 21cm
Sunrise Together ● 2021
ceramic, glazed, resin 21 x 17 x 10 cm
Here for You ● 2021
ceramic, glazed, resin 17 x 19 x 10 cm
Level Headed ● 2021
ceramic, glazed, resin 23 x 18 x 12 cm
Macan I ● 2021
ceramic, glazed, resin 16 x 20 x 10 cm
Intimate ● 2021
ceramic, glazed, resin 23 x 16 x 17 cm
Level Headed ● 2021
ceramic, glazed, resin 23 x 18 x 12 cm
Behind the Curtain ● 2021
ceramic, glazed, resin 13 x 21 x 9 cm
After the Rain ● 2021
ceramic, glazed, resin 13 x 21 x 9 cm
Level Headed ● 2021
ceramic, glazed, resin 23 x 18 x 12 cm
Colony Life
This series tells stories about gender equality; women face a persistent gap in access to opportunities in most aspects of life. The fate of female bees inspires this series of ceramics. Worker bees are all female. The queen bee is the only female bee in the hive that gets to reproduce. The male bee's only job is to spread the genes of their colony. They leave the territory every day in search of potential new queens looking to mate.
Group Exhibition - Locker Room Talk (March 28 - April 3, 2022) at No Vacancy, Melbourne, Australia
Borneo
The ceramic sculptures contrast with the paintings, as their physical nature allows the abstract to come through more clearly. There is results flow from the art process, from the touch of the clay. Though born of the same travel memories; the artist’s hometown - Borneo, the new impressions are created during the making of the artwork.
Solo Exhibition - Somewhere Between (Aug 21 - Sept 01, 2019) at Black Cat Gallery, Melbourne, Australia
Femina Extravaganza
This exhibition explores the body as a site of struggle, consumption projected to media, society, culture, and further investigates ‘femina’ as an extraterritorial space that can embrace those bodies that identity as female but not woman, or as woman but not female; those bodies that have lived through femininity but not womanhood, or through womanhood but not femininity. (Text by Ellen YG Son).
Group Exhibition - Femina Extravaganza (Jan 23 - Feb 3, 2019) curated by Ellen YG Son at Black Cat Gallery, Melbourne, Australia
Garden Soul
Garden Soul draws upon fairy tales, fables and childhood memories, creating a visual poem to navigate the relationship between the human and natural worlds. Though the artist has left her childhood home of gardens in full bloom, she continues to explore the imaginary narratives that live within and around us.
Solo Exhibition - Garden Soul (March 2 - 16, 2017) at Offthekerb Gallery, Melbourne. Photographer: Lawrence Makoona
